{"id":778,"date":"2026-06-05T20:53:42","date_gmt":"2026-06-05T18:53:42","guid":{"rendered":"https:\/\/mixingconsoleexpert.com\/de\/le-fader-bewertungen\/"},"modified":"2026-06-11T05:54:08","modified_gmt":"2026-06-11T03:54:08","slug":"le-fader-bewertungen","status":"publish","type":"page","link":"https:\/\/mixingconsoleexpert.com\/de\/le-fader-bewertungen\/","title":{"rendered":"Alle unsere Le-Fader-Bewertungen"},"content":{"rendered":"

Hier finden Sie alle Mischpulte, die wir nach unserer Le-Fader-Methode<\/a> bewertet haben, sortiert nach Gesamtbewertung.<\/p>\n

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Mischpult<\/th>\nGesamtbewertung \/5<\/th>\n<\/tr>\n<\/thead>\n
Yamaha Rivage PM7<\/a><\/td>\n4.5 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Yamaha Rivage PM10<\/a><\/td>\n4.4 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Midas HD96<\/a><\/td>\n4.4 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Allen & Heath dLive C3500<\/a><\/td>\n4.4 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Allen & Heath dLive S7000<\/a><\/td>\n4.4 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Yamaha DM7<\/a><\/td>\n4.4 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Yamaha CL1<\/a><\/td>\n4.4 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
DiGiCo SD12<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Allen & Heath Avantis<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
DiGiCo SD10<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Behringer Wing<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Yamaha CL5<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
SSL Live L650<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Avid S6L<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Yamaha QL5<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Yamaha QL1<\/a><\/td>\n4.3 \u2605\u2605\u2605\u2605\u00bd<\/strong><\/td>\n<\/tr>\n
Allen & Heath SQ5<\/a><\/td>\n4.2 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Yamaha TF-Rack<\/a><\/td>\n4.2 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft Vi1<\/a><\/td>\n4.2 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
DiGiCo SD9<\/a><\/td>\n4.2 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft Vi3000<\/a><\/td>\n4.2 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Allen & Heath SQ-7<\/a><\/td>\n4.2 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Presonus StudioLive<\/a><\/td>\n4.1 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Behringer X32<\/a><\/td>\n4.1 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Midas M32<\/a><\/td>\n4.1 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
SSL SiX<\/a><\/td>\n4.1 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Allen & Heath GL2400-32<\/a><\/td>\n4.0 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Behringer X32 Compact<\/a><\/td>\n4.0 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft GB4 32:8<\/a><\/td>\n4.0 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft Ui24R<\/a><\/td>\n4.0 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft Si Expression 3<\/a><\/td>\n3.9 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft Signature 22 MTK<\/a><\/td>\n3.9 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n
Soundcraft 6000<\/a><\/td>\n3.8 \u2605\u2605\u2605\u2605\u2606<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n

Unsere Vergleiche<\/h2>\n